By Arun Fulara. Posted on September 04, 2015
Quora is a great place to get answers on almost every topic under the sun. Sometimes you get answers to the questions that you've had for a long time but didn't know whom to ask. Like this one on what screenplays should aspiring screenwriters read. There are a lot of screenplays worth reading available for free online and we've shared some of them earlier on our site here, here & here.
Sean Hood, the writer of films like The Legend of Hercules, Conan the Barbarian & Halloween: Resurrection had this valuable advice that we thought would benefit everyone here. Read on;
"Screenwriters are filmmakers. So, in the same way that aspiring architects study buildings, aspiring screenwriters should study, first and foremost, the films themselves. A book like Screenwriting: The Sequence Approach, by Paul Gulino, has beat by beat analysis of well known movies that illustrate story structure, sequencing, plant and payoff and other techniques.
That said, there are a number of scripts that beautifully illustrate how screenwriters use the written word to indicate visuals, tone, style, pacing, structure, character, tension and action: words that define the finished movie like the lines of an architect's blueprint.
It is also very instructive to look at early drafts of screenplays to discover how the film was changed and revised during production. Sometimes brilliant scripts were made into mediocre movies. Sometimes problematic scripts were solved in the process of shooting and editing.
Here is a list of feature scripts that agents, executives, film school professors, and screenwriters themselves often cite as influential and instructive to aspiring screenwriters.
Five mainstream Hollywood scripts often cited as perfect in style, structure, content, and execution are:
Since so many movies are adaptations, it is instructive for screenwriters to read the underlying material (usually a novel), and then read the screenplay adaptation. Five scripts often recommended are:
Classic Scripts most often recommended:
Taste in indie film is more eccentric and subjective. But I would list these independent voices as instructive to ALL screenwriters:
There are certain celebrity screenwriters that are able to write in such a way that reading the script is an enjoyable and enlightening experience, separate from the experience of watching the film. Love them or hate them, it’s instructive to read scripts by:
Female scribes are often neglected in these lists, but men and women alike can learn from the unique voices of:
Here is the WGA’s list of the 101 greatest screenplays, with links to read them:
Some recently written Hollywood scripts that have caused a stir, and are often cited as examples of the kind of style and content “that sells” are:
(However, you’ll need to make friends with an agent, manager or film executive to get your hands on copies of the above.)
Every year “The Blacklist” is compiled by hundreds of film executives, each of whom contribute the names of up to ten of their favorite unproduced scripts of the year. 2010’s list can be found here:
In general, in order to getcopies of screenplays on the net, go to:
(See answers to the related question:)
The key is to look for EARLY DRAFTS OF THE SCREENPLAY, not just the official “shooting script” which is often a simple transcription of the finished film.
Even maverick writer-directors working outside the Hollywood system and writers who want to challenge mainstream formulas of three-act-structure, conflict centered storytelling, and concept-driven subject matter would do well to study these scripts. A screenplay is ultimately a communication tool, like a blueprint, to be given to actors, cinematographers, production designers and editors. Even if you aspire to make movies like Tarkovsky and HATED Lethal Weapon, you can still learn from the way successful screenwriters clearly and competently convey style and cinematic action to their collaborators.
As a final note, perhaps the best place to start is to read the screenplays for a couple of your favorite films. Reading them will feel like play rather than work. And there is no faster way to learn the format and tools of the screenwriter's craft."